"

White feminists defending The Onion sound an awful lot like male comedians who scoff at criticism of rape jokes.

The implication: these individual white feminists know what anti-black misogyny looks like better than black women do—even that black women should thank the authors of this piece, almost certainly one or more white dudes, for doing the work of our liberation. This is not so different from white male comedians who think they get to decide what is and isn’t sexist or harmful to survivors.

In a just feminism, black women wouldn’t have to deal with attacks from feminists whitesplaining how we fail to understand humor on top of challenging racist, misogynist comedy.

"

T.F. Charlton

These 3 quotes are from her essay The Other Double Standard: On Humor and Racism in Feminism.

(I wrote about the same topic myself last week: The Predictable Cycle of White Liberal “Humor” At Black Women’s Expense)

Interesting how when one is in a position of POWER and not the butt of the “joke” or the “satire” all empathy and concern is lost. White feminists defend The Onion’s attacks on Black women in the way that White men defend their “right” to make rape jokes attacking “all” women, and since “all” usually means “White and no one else;” those are the times that White feminists stand fiercely against it. Not surprising.

What Kelly Rowland Actually Sang Versus What IGNORANT Gossip Blogs Reported

  • What Kelly Rowland sang: I was in an abusive relationship. He was both emotionally and physically abusive. He was mentally manipulative, turning me against my best friend/sister and telling me she was the last person in the world who loved me. I was feeling low at a time when she was doing really well and that led to some feelings of jealousy and devalued self-worth, especially when I felt like there was nobody I could talk to about it. But when I did let her know what was happening, she was right there by my side.
  • What the blogs report: KELLY ADMITS SHE WAS JEALOUS OF BEYONCE IN ANGRY, CURSE-LADEN RANT SHE DIDN'T EVEN WRITE; SHE'S A HATER.
How Prison Industrial Complex disenfranchises Black men in terms of voting. Click here to view if/how people with felonies can vote, by state. Vermont and Maine are the only states where convicted felons can vote via absentee ballot, while in prison. They don’t have to wait a certain number of years after release or lose their right to vote permanently. It’s not a coincidence that those two states have the largest White populations, by state.

How Prison Industrial Complex disenfranchises Black men in terms of voting. Click here to view if/how people with felonies can vote, by state. Vermont and Maine are the only states where convicted felons can vote via absentee ballot, while in prison. They don’t have to wait a certain number of years after release or lose their right to vote permanently. It’s not a coincidence that those two states have the largest White populations, by state.

(Source: twitter.com)

"

If common concerns link women of African descent transnationally, why don’t more U.S. Black women see them? Certainly U.S. school curricula dedicated to glorifying American history and culture as well as a U.S. media that substitute news entertainment for serious coverage of global issues leave all U.S. citizens, including African-American women, ignorant of major world issues.

But another important factor concerns U.S. Black women’s relationships with two groups most closely aligned with African-American women’s interests. Via their control over U.S. feminism and Black intellectual discourse, respectively, White American women and Black American men constitute two groups with which and through which African-American women construct U.S. Black feminism. Both groups may be well meaning, and in fact may express deep-seated concern for Black women’s issues. But both groups find it difficult to get out of the way and encourage a fully articulated, Black feminist agenda where Black women are in charge.

Some strands of White Western feminism have been tireless in raising women’s issues in defense of women who remain suppressed and therefore unable to speak for themselves. This is important work and often leads to valuable coalitions among First and Third World women. Yet the kinds of coalitions among groups such as these can become problematic. Because the groups remain so unequal in power, this inequality can foster a pseudo-maternalism among White women reminiscent of how U.S. middle-class social workers approached working-class, immigrant women in prior eras.

The much-bandied-about accusation of racism in the women’s movement may be much less about the racial attitudes of individual White women than it is about the unwillingness or inability of some Western White feminists to share power. These conflicts remain muted when the power differences among women are vast—the case when the interests of poor, rural, non-American Black women are championed by Western feminists. Yet when the power differentials shrink—the case of Black American and White American women who are seemingly equal under U.S. law—relationships become much more contentious.

U.S. Black men exercise a different kind of control. Here discourses of Black nationalism with their implicit counsel of a racial solidarity built on unquestioned support of African-American men stifles dialogue. Whereas the majority of African-Americans would most likely not identify themselves as ‘Black nationalists,’ most do ascribe to many of the basic tenets of Black nationalist–influenced ideologies that counsel Black self-determination. The historical viciousness and deeply entrenched nature of White supremacy in the United States makes this a rational response.

Blacks may be the ones who are accused of ‘holding’ onto race, but it is White Americans who move out of neighborhoods when Blacks move in. White Americans are the ones who want affirmative action programs in higher education dismantled, even if such efforts effectively bar African-American access to elite colleges. It is White Americans whose failure to vote for Black candidates forces civil rights organizations to remain embroiled in legal battles to find ways of ensuring Black representation under the rubric of American democracy. In this context, Black nationalism is not irrational—it has been essential for Black progress.

However, despite their contributions, not all Black nationalisms are the same. But they do seem to share one common feature, namely, a norm of racial solidarity based on Black women’s unquestioned support of Black men without extracting a similar commitment on the part of Black men to Black women. In contrast to White women’s maternalism, U.S. Black women are encouraged to embrace a Black paternalism, one where Black men reclaim their manhood because Black women ‘let them be men.’ Not only are both of these political responses unacceptable, the energy required to deal with both White women and Black men leaves little left over to engage in dialogue with other groups, both within the United States and transnationally.

"

Patricia Hill Collins

Black women actually share quite a bit in terms of how intersectionality and the matrix of domination impact our lives—globally. While how oppression manifests varies (i.e. imperialism vs. colonialism, whether the Black woman has light skin, thin, heterosexual, class, and cis privilege or not, citizenship, location etc), common threads of oppression are there, and hard (for many Black women in America) to examine on a transnational level when SO MUCH ENERGY is spent dealing with the ramifications of Black paternalism and White maternalism in “progressive” social justice movements, let alone the fight against White supremacist capitalist patriarchy and kyriarchy themselves in the U.S. I definitely want my focus to broaden daily and include perspectives of women of African descent, globally.

"Too often Black men have a philosophy of manhood that relegates women to the back burner. Therefore it is perceived as an offense for black women to struggle on their own, let alone achieve something independently. Thus, no matter how original, beautiful, and formidable the works of black women writers might be, black men become ‘offended’ if such works bear the slightest criticism of them, or if the women receive recognition from other women, especially from the white literary establishment. They do not behave as though something of value has been added to the annals of black literature. Rather, they behave as though something has been subtracted, not only from the literature, but from the entire race, and specifically, from them."

Calvin Hernton

Unfortunately, yes. Yep. He wrote this criticism during the 80s when Black women’s literature began to flourish and reach mainstream in a way that it had not previously. I see every addition, by Black women or Black men, as important to the collective works of Black culture. I cannot ascribe to celebrating Black men’s literature and admonishing Black women’s literature. Don’t work like that. (I alluded to the importance of Black literature in my posts The Most Commonly Challenged/Banned Books and White Responses To Black Literature.)

"If society ascribes roles to black men which they are not allowed to fulfill, is it black women who must bend and alter our lives to compensate, or is it society that needs changing?"

Audre Lorde

She spoke a word! Anytime I get into one of those “if you bow to my word as a Black woman, racism would go away and we’d magically live in Afrotopia” type of conversations with some Black men, I ask them, WHY wouldn’t deconstructing, fighting and dismantling every form of oppression be the path to take? Why would my sexist oppression be needed IF they desired true liberation, not mimicking White supremacist capitalist patriarchal constructions of “society?”

Could The Video For “Q.U.E.E.N.” Have Been More Inclusive? (Yep)

This post is in response to kiddotrue’s comment on my review of Janelle Monae’s and Erykah Badu’s video for their amazing song “Q.U.E.E.N.” She wrote:

The video is cute. I just was hoping that I’d see a body like mine in it. It was pretty much what I imagined, black girls dancing around and being awesome, a celebration of us. Just feeling a bit left out. I wanna be celebrated.

She’s totally right. Though they do have curvier (and darker complexioned) Black women in the video than in most music videos, fashion displays, films or anything else in the visual arts, the video could have included Black women beyond size 12, which is what I would guess the curviest woman in the video is. It could have been more diverse. If it was, then the video would have truly been 100% perfect, really. 

I hope that Janelle and Erykah do consider this in the future because both artists are already critical thinkers about so much in the industry. I hope they express their ability to expand their lenses in the future. (For example, I saw a photo of Beyoncé’s tour where her dancers and backup vocalists are a variety of sizes, and all female. I loved it.)

Because I am a big fan of both artists, because of my own thin privilege and because it’s still rare to see positive anything regarding Black women (especially brown skinned black women who aren’t size 6 and below), I did not notice the lack of diversity in sizes. My bad.

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In the United States, assumptions of heterosexuality operate as a hegemonic or taken-for-granted ideology—to be heterosexual is considered normal, to be anything else is to become suspect. The system of sexual meanings associated with heterosexism becomes normalized to such a degree that they are often unquestioned.

For example, the use of the term sexuality itself references heterosexuality as normal, natural, and normative. The ideological dimension of heterosexism is embedded in binary thinking that deems heterosexuality as normal and other sexualities as deviant. Such thinking divides sexuality into two categories, namely, “normal” and “deviant” sexuality, and has great implications for understanding Black women’s sexualities.

Within assumptions of normalized heterosexuality, two important categories of “deviant” sexuality emerge. First, African or Black sexuality becomes constructed as an abnormal or pathologized heterosexuality. Long-standing ideas concerning the excessive sexual appetite of people of African descent conjured up in White imaginations generate gender-specific controlling images of the Black male rapist and the Black female jezebel, and they also rely on myths of Black hypersexuality. Within assumptions of normalized heterosexuality, regardless of individual behavior, being White marks the normal category of heterosexuality. In contrast, being Black signals the wild, out-of-control hyperheterosexuality of excessive sexual appetite.

Within assumptions of normalized heterosexuality, homosexuality emerges as a second important category of “deviant” sexuality. In this case, homosexuality constitutes an abnormal sexuality that becomes pathologized as heterosexuality’s opposite. Whereas the problem of African or Black sexual deviancy is thought to lie in Black hyperheterosexuality, the problem of homosexuality lies not in an excess of heterosexual desire, but in the seeming absence of it. Women who lack interest in men as sexual partners become pathologized as “frigid” if they claim heterosexuality and stigmatized as lesbians if they do not.

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Patricia Hill Collins

This is from the 2nd edition of her book Black Feminist Thought - Knowledge, Consciousness and The Politics of Empowerment. Even amidst heterosexually being presented as “normal,” there are categories of deviant sexuality within heterosexuality that are ascribed upon Black bodies. Even as some heterosexuals cling to theoretical “normalcy” of heterosexuality, which is heterosexist and homophobic to do so, sexuality as Black heterosexuals is still not viewed as “normal” anyway (when juxtaposed to Whites), even as Black heterosexuals still have heterosexual privilege (when juxtaposed to LGBTQ Black people). It’s important for heterosexual Black people to stand with LGBTQ Black people, always.

cognitivedissonance:

Right here ^^
I swear, you can get a bingo in less than 5 minutes via comment perusal, even on progressive sites.

cognitivedissonance:

Right here ^^

I swear, you can get a bingo in less than 5 minutes via comment perusal, even on progressive sites.

"

African-American women’s oppression has encompassed three interdependent dimensions. First, the exploitation of Black women’s labor essential to U.S. capitalism—the ‘iron pots and kettles’ symbolizing Black women’s long-standing ghettoization in service occupations—represents the economic dimension of oppression. Survival for most African-American women has been such an all-consuming activity that most have had few opportunities to do intellectual work as it has been traditionally defined. The drudgery of enslaved African-American women’s work and the grinding poverty of ‘free’ wage labor in the rural South tellingly illustrate the high costs Black women have paid for survival. The millions of impoverished African-American women ghettoized in Philadelphia, Birmingham, Oakland, Detroit, and other U.S. inner cities demonstrate the continuation of these earlier forms of Black women’s economic exploitation.

Second, the political dimension of oppression has denied African-American women the rights and privileges routinely extended to White male citizens. Forbidding Black women to vote, excluding African-Americans and women from public office, and with- holding equitable treatment in the criminal justice system all substantiate the political subordination of Black women. Educational institutions have also fostered this pattern of disenfranchisement. Past practices such as denying literacy to slaves and relegating Black women to underfunded, segregated Southern schools worked to ensure that a quality education for Black women remained the exception rather than the rule. The large numbers of young Black women in inner cities and impoverished rural areas who continue to leave school before attaining full literacy represent the continued efficacy of the political dimension of Black women’s oppression.

Finally, controlling images applied to Black women that originated during the slave era attest to the ideological dimension of U.S. Black women’s oppression. Ideology refers to the body of ideas reflecting the interests of a group of people. Within U.S. culture, racist and sexist ideologies permeate the social structure to such a degree that they become hegemonic, namely, seen as natural, normal, and inevitable. In this context, certain assumed qualities that are attached to Black women are used to justify oppression. From the mammies, jezebels, and breeder women of slavery to the smiling Aunt Jemimas on pancake mix boxes, ubiquitous Black prostitutes, and ever-present welfare mothers of contemporary popular culture, negative stereotypes applied to African-American women have been fundamental to Black women’s oppression.

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Patricia Hill Collins

This is important. Labor/capitalism, the political sphere and through media/controlling images. All three are critical areas to address in regards to the oppression that Black women experience. Thus, whenever I see a womanist/Black feminist addressing one of these areas at a time, I don’t flip out and start thinking she “should” address “X” instead  of “Y” because all three of these areas impact our lives greatly. Her “lane” might be to tackle labor while another focuses on voter suppression while another focuses on reproductive justice. It never means that they don’t care about the full picture—they LIVE the full picture.

"By using the contradictions between her life as an African American woman and the qualities ascribed to women, Sojourner Truth exposes the concept of woman as being culturally constructed. Her life as a second-class citizen has been filled with hard physical labor, with no assistance from men. Her question, ‘and ain’t I a woman?’ points to the contradictions inherent in blanket use of the term woman. For those who question Truth’s femininity, she invokes her status as a mother of thirteen children, all sold off into slavery, and asks again, ‘and ain’t I a woman?’ Rather than accepting the existing assumptions about what a woman is and then trying to prove that she fit the standards, Truth challenged the very standards themselves. Her actions demonstrate the process of deconstruction―namely, exposing a concept as ideological or culturally constructed rather than as natural or a simple reflection of reality. By deconstructing the concept woman, Truth proved herself to be a formidable intellectual. And yet Truth was a former slave who never learned to read or write. Examining the contributions of women like Sojourner Truth suggests that the concept of intellectual must itself be deconstructed. Not all Black women intellectuals are educated. Not all Black women intellectuals work in academia. Furthermore, not all highly educated Black women, especially those who are employed in U.S. colleges and universities, are automatically intellectuals. U.S. Black women intellectuals are not a female segment of William E. B. DuBois’s notion of the “talented tenth.” One is neither born an intellectual nor does one become one by earning a degree. Rather, doing intellectual work of the sort envisioned within Black feminism requires a process of self-conscious struggle on behalf of Black women, regardless of the actual social location where that work occurs."

Patricia Hill Collins

This is in regards to Sojourner Truth’s famous speech, Ain’t I A Woman? I like that Collins recognizes the incredible level of thinking that Truth had, despite no access to formal education, and doesn’t conflate formal education with being an intellectual, but also doesn’t require the social location of the academe to be one that should be a source of shame for Black women who are consistently challenging the problematic nature of those spaces, from inside and outside.

wtfniceguys:

MRAs and Nice Guys™, please read.

Brilliant. Because I am truly SICK of Nice Guys™, and MRAs? I wont even speak of their nonsense.

wtfniceguys:

MRAs and Nice Guys™, please read.

Brilliant. Because I am truly SICK of Nice Guys™, and MRAs? I wont even speak of their nonsense.

Why do people hate women so much? I don’t get it. I’m so tired of seeing pictures of women being attacked for rejecting men, attacked for wanting freedom and education; attacked for just BEING. Why do people hate us so much?

(Source: escapedgoat, via christel-thoughts)

definitelydope:

What Women Deserve (by Sonya Renee). Holy mother of God this woman is perfect.

This is true, important and phenomenal.

(via definitelydope)

"When I first became a feminist twenty years ago, I had an old-school feminist (wearing bright pink lipstick, mind you) ask, ‘What’s a feminist like you doing wearing a miniskirt?’ I said to her, ‘I got out of the patriarchy because it was always telling me what to do. I’ll be damned if I let anyone else do it, either.’ I told her that automatically rejecting everything the patriarchy demanded was allowing the patriarchy to control you just as much as if you did everything it ordered. As long as you were simply reacting, you were still granting the patriarchy all the power. Part of feminism, to me, was the freedom to choose for myself after carefully thinking out the issue, and I wasn’t going to cede that power to ANYONE, ever again. Besides, damn it, I had good legs, and I wasn’t above showing them off."

Minna Hong

This is an excerpt from her essay in the Let’s Talk About Names series (I have one too) on Flyover Feminism and Are Women Human? The essay focuses on her experiences with people trying to pronounce her name, race, last name changes and feminism. I love this excerpt. I wrote about something similar recently,  in my essay Black Women Do Not Have To Reject Any Mention Of Beauty To Be Womanist/Feminist.